Skip to main content

Download Harri Text Fonts Family From Blancoletters

Download Harri Text Fonts Family From Blancoletters


Harri Text is more than an extension of Harri. It shares its origin, a certain flavour and a great deal of its idiosyncrasies, but while Harri is an uppercase-only typeface intended for display uses, Harri Text is conceived as a text type family, including a new extra-light weight, italics, small caps and other additions that make it suitable for editorial purposes. As its predecessor Harri Text addresses several concerns regarding the dualism neutrality vs. idiosyncrasy, or in other words, how local features meet global design in the context of a modern society (as is the case in the Basque Country in recent times). 


The origin of Harri Text —vernacular Basque lettering for the most part— is full of idiosyncrasies and peculiarities that, while giving them its special character, may hinder readability in some cases. The default set in Harri Text tones its essence down a little bit. It is still present, although less obstrusive. Stylistic sets 1, 2 and 3 are a chance to recover gradually this essence modifying some characters —specially the characteristic design of letter A– for those who seek a more local flavour. Stylistic set 4, on the other hand, does the opposite job, this is, removes asymmetrical serifs and other small details in order to create a more neutral atmosphere. Any traces to its origin are this way diluted resulting in a crisp and clean incise variant. Stylistic set 6 is available in the italic styles. It provides a more fluid and cursive flavour to some letters in case a calligraphic mood is desired.


Harri Text comes with 1054 glyphs in its character set (1078 in the italics) with support for more than 220 languages.



Download Harri Text Fonts Family From Blancoletters


Popular posts from this blog

Download Fabiola Font Family From Lián Types

Download Now Server 1 Download Now Server 3 Download Now Server 2 -Fabulous, beautiful, friendly, talkative, sweet, caring, a little on the odd side, very desirable by many, good at almost everything- That's the definition of Fabiola according to the slang dictionary of americans. If you were you looking for something delicious, a font that covers a really wide range of uses and always looks amazing, Fabiola should be your choice. Although it may look as another of my scripts with juicy swashes, this time I explored in depth the pairing and interaction with capital letters for more unique results. Why? We are going through some crazy days where the number of people interested in letters is only growing. We see lettering everywhere: I can say that finally our field is shouting out loud; letters are THE protagonist more than ever. Hence the need of combining a...

hkihcosjus Download Gravitica Compressed Fonts Family From Ckhans Fonts

Download Now Server 1 Download Now Server 2 Download Now Server 3 Gravitica Compressed family consists of 18 styles (9 weights, 9 Italics), in each of which there are more than 543 + glyphs. In the typeface, each weight includes extended language support, fractions, tabular figures, ligatures, arrows and more. Perfectly suited for graphic design and any display use.  Support for 28 languages: Afrikaans Albanian Catalan Croatian Czech Danish Dutch English Estonian Finnish French German Hungarian Icelandic Italian Latvian Lithuanian Maltese Norwegian Polish Portugese Romanian Slovak Slovenian Spanisch Swedish Turkish Zulu Download Gravitica Compressed Fonts Family From Ckhans Fonts Download Gravitica Compressed Fonts Family From Ckhans Fonts

aeaudcunhh Download Etrusco Now Fonts Family From Italiantype

Download Etrusco Now Fonts Family From Italiantype Etrusco Now  is the revival of a lead typeface originally cast in lead by Italian foundry Nebiolo in the early 1920s. Heavily inspired by the design of the Medium weight of Schelter & Giesecke's Grotesk,  Etrusco  was, like  Cairoli , an early precursor of the modernist grotesque superfamilies: a solid, multi-purpose "work-horse" typeface family that could solve a wide range of design problems with its range of widths and weights.  When designing the new incarnation of Nebiolo's Etrusco, the  Italiantype  team directed by  Cosimo Lorenzo Pancini  and  Mario de Libero  decided to extend the original weight and width range to keep this "superfamily" approach.  Etrusco   Now  has twenty-one styles widths in three widths of seven weights each, with matching italics; the original weights for the typeface have been collected in...