Skip to main content

Download Wakerobin Fonts Family From Monotype

Download Wakerobin Fonts Family From Monotype

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


Wakerobin takes its charming swagger from the hand-painted billboard, poster and signage lettering of the mid-19th century. These showy styles did everything they could to stand out from the background cacophony of advertising, with signwriters using sharp and high contrast serif letters, squared block shapes, or art nouveau forms to grab the attention of passersby. 


Wakerobin embraces the spirit of these letterforms, bringing these various styles together in one typeface - as if users had their own sign painter on hand. Just as lettering artists had to adapt to a variety of sizes - from wide streetcar lettering to compressed forms that squeezed into narrow Victorian windows - the variable version of Wakerobin scales up and down in width to fit whatever environment the user’s working in. The static fonts come in three widths and five weights. 


As well as its adaptability, Wakerobin is bursting with vintage flavour, making it hard to ignore. Its distinctive, spiky serifs would be right at home on food and drinks packaging, as well as shop windows, adverts, and any other place that calls for some typographic showmanship. It performs particularly well in busy environments, or anywhere with a lot of visual noise - just as its historic predecessors did. And while Wakerobin is first and foremost a display typeface, it’s surprisingly elegant when used at text size, or in the lighter end of the weight spectrum.


Download Wakerobin Fonts Family From Monotype
Download Wakerobin Fonts Family From Monotype



Download Wakerobin Fonts Family From Monotype


Popular posts from this blog

Download Fabiola Font Family From Lián Types

Download Now Server 1 Download Now Server 3 Download Now Server 2 -Fabulous, beautiful, friendly, talkative, sweet, caring, a little on the odd side, very desirable by many, good at almost everything- That's the definition of Fabiola according to the slang dictionary of americans. If you were you looking for something delicious, a font that covers a really wide range of uses and always looks amazing, Fabiola should be your choice. Although it may look as another of my scripts with juicy swashes, this time I explored in depth the pairing and interaction with capital letters for more unique results. Why? We are going through some crazy days where the number of people interested in letters is only growing. We see lettering everywhere: I can say that finally our field is shouting out loud; letters are THE protagonist more than ever. Hence the need of combining a...

hkihcosjus Download Gravitica Compressed Fonts Family From Ckhans Fonts

Download Now Server 1 Download Now Server 2 Download Now Server 3 Gravitica Compressed family consists of 18 styles (9 weights, 9 Italics), in each of which there are more than 543 + glyphs. In the typeface, each weight includes extended language support, fractions, tabular figures, ligatures, arrows and more. Perfectly suited for graphic design and any display use.  Support for 28 languages: Afrikaans Albanian Catalan Croatian Czech Danish Dutch English Estonian Finnish French German Hungarian Icelandic Italian Latvian Lithuanian Maltese Norwegian Polish Portugese Romanian Slovak Slovenian Spanisch Swedish Turkish Zulu Download Gravitica Compressed Fonts Family From Ckhans Fonts Download Gravitica Compressed Fonts Family From Ckhans Fonts

aeaudcunhh Download Etrusco Now Fonts Family From Italiantype

Download Etrusco Now Fonts Family From Italiantype Etrusco Now  is the revival of a lead typeface originally cast in lead by Italian foundry Nebiolo in the early 1920s. Heavily inspired by the design of the Medium weight of Schelter & Giesecke's Grotesk,  Etrusco  was, like  Cairoli , an early precursor of the modernist grotesque superfamilies: a solid, multi-purpose "work-horse" typeface family that could solve a wide range of design problems with its range of widths and weights.  When designing the new incarnation of Nebiolo's Etrusco, the  Italiantype  team directed by  Cosimo Lorenzo Pancini  and  Mario de Libero  decided to extend the original weight and width range to keep this "superfamily" approach.  Etrusco   Now  has twenty-one styles widths in three widths of seven weights each, with matching italics; the original weights for the typeface have been collected in...